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1.
Dark Science 04:56
2.
Codex 14 01:54
3.
4.
Codex 15 02:12
5.
Hedron 03:57
6.
White Codex 01:46
7.
8.
Laced Codex 05:46
9.
Sinaiticus 02:43
10.
11.
Dark Codex 02:41
12.
Revelation 03:13
13.
14.
15.
16.
Abomination 02:48
17.
Bereft 02:28
18.
19.
Hypercube 03:38
20.
Mote 05:08
21.
22.
23.
Presence 03:12
24.
Realisation 02:36
25.
Conclusions 22:52

about

An historical tale describing a fragment of the birth of everything, from magic to loss via science, craft, art, hope, disillusionment and despair.

Instruments:
Various synthesisers, Mellotron M400 and Mk V, microKorg, piano, Electric Pianos, samplers, samples and loops and field recordings.

FRAGMENT 4531-45 [12th June 2019]

Found at site A-343 by SAS and OJD, labelled by RA and catalogued by SJ. Translation provided provisionally by AJBD.

11.6 […] until the days grew longer and the nights shorter […] knew only the power of the DARK SCIENCE within the boundaries (or limits?) of the information available (or known?) to them and transcending all of their efforts to […] until found and brought to the surface by the eager (?) many who awaited their delivery (?) to save them from the darkness that fell around them. And within these polyglyphs was the sum of all (knowledge/power?) that flowed from the presences within the […] and took them to the readers (or scribes?) who could translate (or transform?) them into the words that may be worked upon by the others who know the AJPTBBSTGS UUASHJ ASHPAL AJPTBB (fragment 23 refers) […] and from these were read the CODICES that were transformed into the words that gave us all the […] power known to fuel (or drive?) our ASHAPTNOR DELRA […] YYTRSP (fragment 45 refers) and bring us from the darkness (or night?) to the light (or day?) which sustained us throughout all ATTRIS OR DARUM ETIC ETUS PRO DARUM (fragment 2 refers – maybe a reference to the instruments of warfare) and made us men among men and gods among gods.

credits

released June 16, 2014

All music (c) 2013-14, Black Cat Music Factory
All titles composed, performed, orchestrated and arranged by Mike Dickson and Danielle Ashley

license

all rights reserved

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The Ashley Dickson Immersive Experience Edinburgh, UK

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